The University of Sydney’s China Studies Centre, The Power Institute and VisAsia, with support from the Art Gallery of New South Wales, are proud to present the third of our Sydney Asian Art Series talks for 2019, with a lecture by Yasufumi Nakamori; Senior Curator of International Art (Photography) at Tate Modern.
ABOUT THE LECTURE
In this lecture, Dr Yasufumi Nakamori will introduce some little known critical aspects of the history of Japanese photography, namely, photographic images and visual culture surrounding selected large-scale earthquakes, from the Nohbi Earthquake in 1891 to the 2011 Tohoku Earthquake. He will pay attention to issues such as technologies, circulation, and the impact of the images, and examine their relationship to collective memory and imaginary projections of a city.
ABOUT THE SPEAKER
Dr Yasufumi Nakamori is Senior Curator, International Art (Photography) at the Tate Modern, London. Originally from Osaka, Nakamori initially studied law at the University of Wisconsin and practiced in New York City before undertaking a second career in art history following 9/11, going on to obtain his PhD in art history from Cornell University. Prior to joining Tate Modern, Nakamori was head of photography and new media at the Minneapolis Institute of Art. From 2008-2016 he was curator of photography at the Museum of Fine Arts, Houston, where his exhibitions included Katsura: Picturing Modernism in Japanese Architecture Photographs by Ishimoto Yasuhiro (2010) and For a New World to Come: Experiments in Japanese Art and Photography, 1968–1979 (2015). His award-winning catalogue Katsura: Picturing Modernism in Japanese Architecture, which documented the collaboration between photographer Yasuhiro Ishimoto and Pritzker prize-winning architect Kenzo Tange.
2pm, Saturday 24 August 2019
Art Gallery of NSW
Art Gallery Road
Sydney NSW 2000
Please send further queries to firstname.lastname@example.org
This series of talks and events is co-presented by the University of Sydney’s China Studies Centre, The Power Institute, and VisAsia, with support from the Art Gallery of New South Wales and Sydney Ideas. Originating in and celebrating the very latest and best scholarship in Asian art from around the world, this initiative complements the Art Gallery of New South Wales’ innovative exhibition program in Asian art, and the University of Sydney’s region-leading programs in the arts and cultures of Asia.
Image: Naoya Hatakeyama, 2011.05.02 Takatacho-Morinomaefrom the series Rikuzentakata. Courtesy of the Artist.