Following the highly successful Gender in Southeast Asian Art Histories 2017 event, the organisers have put together yet another ambitious two-part, multi-platformed project. This time, jointly supported by the University of Sydney (Power Institute, Faculty of Arts and Social Sciences and the School of Letters, Arts and Media) and Chulalongkorn University … READ MORE
In this lecture, Reiko Tomii illuminates a fundamental difference of performative practices in 1960s Japan from Euro-American counterparts. Through an examination of artwork documentation, which she terms the “second life” of a performance work, Tomii tracks major shifts in artistic practice during this time.
The Power Institute, together with the School of Literature, Arts and Media and the Faculty of Arts and Social Sciences at the University of Sydney, presents the symposium ‘Art, Digitality and Canon-making?’ as part of the Gender in Southeast Asian Art Histories project. Following the symposium, on 19 October the exhibition … READ MORE