Join us on Tuesday 10 May at 6pm for a free public lecture by Professor Eugene Y. Wang, Abby Aldrich Rockefeller Professor of Asian Art at Harvard University.



A Drop in the Ocean: How Did a Seascape Make Waves in China and Beyond?, by renowned scholar of Asian art Eugene Wang, will consider the coming together of Western artistic traditions and traditional Chinese culture and legend. As Professor Wang explains in the introduction to his presentation:

The daughter of a prehistorical sage-king, so an ancient Chinese tale goes, is accidentally drowned in the Eastern Sea. Her afterlife spirit turns into a vengeful bird with a mission. She picks up—one at a time—a piece of wood or rock from the Western mountains, flies east, and drops it into the Eastern Sea—a drop in the ocean. This way, she would, so she hopes, eventually fill up the entire ocean that engulfed her.

This millennia-old tale has been told and retold over the centuries, inspiring poets and essayists but not painters. For more than two thousand years, the matter was never made the subject for painting. In the 1980s, however, it suddenly began to make waves in China. The most spectacular instance is the monumental seascape on the ceiling of the clock tower of the Tianjin Railway Station, rebuilt in 1988. It shows winged female nudes soaring amidst swirling clouds, mist and surging waves. The dome painting recalls enduring mindsets just as it engages specific historical moments of the 1980s. It thus raises both broad and specific questions: what made the Tianjin Railway Station dome painting so distinct in view of the Chinese and Western traditions? How does it speak specifically to 1980s China of the reformist era? The dome painting has, it turns out, ultimately transcended its local context to become a global phenomenon.



Eugene Wang began teaching at the University of Chicago in 1996 before joining the faculty at Harvard University in 1997. He was appointed the Abby Aldrich Rockefeller Professor of Asian Art at Harvard in 2005. He has been a Guggenheim Fellow (2005) and recipient of ACLS and Getty grants. His book, Shaping the Lotus Sutra: Buddhist Visual Culture in Medieval China (2005) received the Academic Excellence Award from Japan in 2006. His extensive publications cover the entire range of Chinese art history, from ancient funerary art to modern and contemporary Chinese art and cinema.



Tuesday 10 May
The Great Hall, Quadrangle Building, the University of Sydney
For enquiries, contact:



This is a free public lecture with online registration essential. For venue information and to register your attendance, please click here.



Professor Wang’s lecture is co-presented with Sydney Ideas, and has been made possible in association with the Art Gallery of New South Wales, who will be hosting Wang as part of their symposium: Tang Cosmopolitanism.