In the first “Image Complex” lecture, Jolene Rickard will describe a mode of power that emerges from the long history of Hodinöhsö:ni ideas and visual practices.
The 2020 edition of our Sydney Asian Art Series focuses on art and technology, featuring lectures by international speakers Lisa Claypool, Rahaab Allana, Yu-Chih Lai and Yung Ma, alongside screenings and other events.
In this lecture, Reiko Tomii illuminates a fundamental difference of performative practices in 1960s Japan from Euro-American counterparts. Through an examination of artwork documentation, which she terms the “second life” of a performance work, Tomii tracks major shifts in artistic practice during this time.
Join us for an active enquiry into the potential of comparative art histories from a range of historical and cultural contexts.
The Power Institute, together with the School of Literature, Arts and Media and the Faculty of Arts and Social Sciences at the University of Sydney, presents the symposium ‘Art, Digitality and Canon-making?’ as part of the Gender in Southeast Asian Art Histories project. Following the symposium, on 19 October the exhibition … READ MORE