In this lecture, Reiko Tomii illuminates a fundamental difference of performative practices in 1960s Japan from Euro-American counterparts. Through an examination of artwork documentation, which she terms the “second life” of a performance work, Tomii tracks major shifts in artistic practice during this time.
In this lecture, Cooke examines the work of little studied artist Anni Albers—a student of the Bauhaus and prolific weaver, printmaker and writer.
The Power Institute is pleased to present a lecture by Steven Nelson, Professor of African and African American Art and Director of the UCLA African Studies Center at UCLA. Post-Soul Gesamtkunstwerk: Julie Mehretu’s Abstract Spectacle is the second in our series of Keir Lectures on Art for 2018. ABOUT … READ MORE