From the term “art” to the term “painting,” the study of Chinese Art in a Eurocentric art historical paradigm is marked by absences and unequivalents. This renders the historian’s task of reconstructing the facticity of the past fairly difficult. What do we imagine in our hopes of finding the perfect missing document, or the perfect missing voice? What kind of narrative must we construct in order to write the Chineseness of Chinese art history? Register for this lunchtime seminar; Tales, Fables, and Anecdotes: Narrating Anonymity in Chinese Art with Professor Winnie Wong
Amelia Jones is the Robert A. Day Professor at the Roski School of Art and Design at University of Southern California. During her visit to Sydney, she will be presenting a lunchtime seminar for students on curating queer performance and archives.
The Power Institute is pleased to present a lecture by Ewa Lajer-Burcharth, Professor of Fine Arts in the Department of History of Art and Architecture at Harvard University. The lecture will focus on Jean-Honoré Fragonard’s extraordinary series of views from the Villa d’Este in Tivoli, described as “one of the most beautiful red chalk drawings ever made.”