Co-curated by Whiteman and two PhD students, Bingqing Wei and Minerva Inwald, Floating Time: Chinese Prints, 1954–2002 presents, for the first time, a selection of modern and contemporary Chinese prints from the University of Sydney Art Collection.
It is the last week to see the most recent Verge Gallery exhibition By a Window that features an excerpt from the Power Institute’s 1992 Talking about Aboriginal Art series of panel discussions, presentations, films/videos and seminars that explored many of the issues of Aboriginal art in Australian society. The video … READ MORE
Held at the Art Gallery on NSW on 20 July, 2016 to launch two new Power Publications – Hegel’s Owl: the life of Bernard Smith by Sheridan Palmer and the new volume The legacies of Bernard Smith: essays on Australian art, history and cultural politics. In this talk, Professor Terry Smith addresses the … READ MORE