In this lecture, Reiko Tomii illuminates a fundamental difference of performative practices in 1960s Japan from Euro-American counterparts. Through an examination of artwork documentation, which she terms the “second life” of a performance work, Tomii tracks major shifts in artistic practice during this time.
Join us for an active enquiry into the potential of comparative art histories from a range of historical and cultural contexts.
Join us and the Sydney Digital Humanities Research Group for a talk about digital art history with Emily Pugh, Getty Research Institute for her talk ‘Images of Technology, Technologies of Imaging: Digital Art History at the Getty Research Institute’. ABOUT THE TALK How has photography shaped art history? ... READ MORE
